![]() |
|
Poems Listed Alphabetically by Name of Author A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | V | W | Y | Z BAILEY, Augusta Barbara: "Autumn" IN: Creighton, 15. Comment: Very traditional sonnet. BALDWYN, Augusta (b. 1821?-1884): "Summer-Evening" IN: Dewart, 259-260. Comment: Landscape and religion. Landscape reminds persona of God. This notion seems to be wide-spread in 19th-century landscape poems. BAUER, Walter (b. 1904-1976): "Canada" IN: Litteljohn & Pearce, 221. Comment: A kind of keynote poem: "This earth says:/ I was here long before you and the likes of you came;/ Unmolested I conversed with wind and rivers" BEISSEL, Henry (b. 1929): "Quintala" IN: Colombo (1978), 190. Comment: An immigrant's positive awareness of the beauty of the Canadian landscape. IMPORTANT! BENDELL, Christobell D.: "Autumn Interlude" IN: Creighton, 22. Comment: Mawkishly romantic. BENSON, Irene Chapman: "The Tides of Spring" "To the Saint Lawrence River" IN: Creighton, 24-25. Comment: Outdated perception and poetic register. This also applies to many other poems in Creighton's anthology. BIDDLE, Gillian: "Earth Culture" IN: Canadian Chamber of Contemporary Poetry, 134. Comment: Insight: "I am the student – Nature the master." BIRNEY, Earle (b. 1904): "Bushed" (1952) IN: Atwood, 115; Daymond & Monkman, II, 146; Litteljohn & Pearce, 88; Smith, 229; Wilson 1964, 34; Pacey, 66; Newlove, 49; Geddes & Bruce, 2f. Comment: Baseness and horror of landscape. One does not feel at home there. Can this be considered to be an archetypal poem representing the garrison syndrome? "David" IN: Atwood, 108-113. Comment: Initiation into nature. Many emotions experienced by persona. Experiential problem: Does one get mad if one is exposed to this lonely and dangerous landscape? Similar to the motif of being 'bushed'. "Maritime Faces" IN: Litteljohn & Pearce, 47. Comment: Topographical. The coast battered by the sea. A sense of violence (see stanza 3). "North of Superior" (1966) IN: Daymond & Monkman, II, 150-152. Comment: Northern landscape devoid of "the human story" but full of "only the soundless fugues/ of stone and leaf and lake". BLACKFOOT: "Morning Song" "Song to the Four Quarters" IN: Colombo (1983), I, 56. Comment: First-Nation experience. "The Prayer of the Head Chief" IN: Colombo (1983), I, 58. Comment: First-Nation experience. BOLSTER, Stephanie: "Many have written poems about blackberries" IN: Crozier, 8-9. Comment: Intimate relationship with natural object. BONNELL, William: "Cottage Country" IN: Smith, D.B., 37-38. Comment: A modern city-dweller's spiritual experience of the lonely countryside. BORSON, Roo (b. 1952): "By flashlight" IN: Lee, 12-13. Comment: Feeling of uneasiness caused by the predicament of contemporary living is contrasted by the immutability and growth principle of nature. "Flowers" IN: Norris, 21 Comment: Ambiguous attitude towards sunset and flowers. A sense of modern alienation? "Jacaranda" IN: Atwood, 274. Comment: Native voice. "At night you can almost see the corona of bodies" IN: Lee, 8-11. Comment: A poem reflecting an awareness of human self-destruction. Sets this against nature. See end of part I and stanza 4 of part II. BOWERING, George (b. 1935): "Indian Summer" IN: Bruce/ Geddes, 227. Comment: Modern, unromantic experience of Indian summer. Worth contrasting with other 'Indian summer' poems. BOWERING, Marilyn (b. 1949): "Part Winter" IN: Norris, 34. Comment: Ambiguous stance. Feeling of estrangement but illustrates what animals and humans have in common. Worth contrasting with romantic winter poems. Winter as a symbolic condition. BOYLE, Sir Cavendish: "Ode to Newfoundland" IN: Colombo (1978), 56-57. Comment: Love of the new country expressed in the traditional form of the ode. BREWSTER, Elizabeth (b. 1922): "If I could Walk Out into the Old Country" IN: Atwood, 224. Comment: If the persona were able to walk out into the old country, recapitulating earlier experiences, she could regain her lost childhood. Important association: childhood and experience of landscape and nature. This is an aspect worth pursuing. "Sunrise North" (1972) IN: Daymond & Monkman, II, 395. Comment: Awareness of beauty: "The beautiful nothern city/ is a child's Christmas toy/ ... discreetly frosted ... ." "Valley by 'Bus: November" (1969) IN: Daymond & Monkman, II, 394-395. Comment: Impressions of hibernal landscape. BROCHU, André (b. 1942) "A Child of My Country (I)" IN: Glassco, 254-255. Comment: Originally written in French. Transl. Eldon Grier. Disillusionment about the attempt to cultivate a relationship with the land only through song. BROOSTER, Elizabeth: "East Coast – Canada" IN: Carman, 443-444. Comment: Natural ambience difficult to cope with emotionally. Garrison syndrome. BROWN, Audrey Alexandra (b. 1904) "The Island" IN: Sullivan, 44-45. Comment: Topographical poem. Humans interact with, and respond to, given place. |