![]() |
|
Poems Listed Alphabetically by Name of Author A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | V | W | Y | Z HAIGHT, Jennie W.: "Snow" IN: Dewart, 132-134. Comment: One of the many early snow poems worth comparing with later ones. HANCOCK, Elizabeth: "A Word for Trees" IN: Canadian Chamber of Contemporary Poetry, 300. Comment: Conflict between economy and ecology. HARRIS, Michael (b. 1944): "The Gamekeeper" IN: Harris, 155-157. Comment: Animals, and wildlife watching. "The Dolphin" IN: Harris, 158. HARRISON, Susan Frances, alias Serenus (1859-1935) "March" (1891) N: Gerson & Davies, 296. "Niagara in Winter"(1891) IN: Gerson & Davies, 299. Comment: The persona is stunned by the "wondrous dream of ice". "November" IN: Sullivan, 15. Comment: The poem concerns itself with the feeling of disillusionment triggered off by the harsh winter. " ... on a day like this,/ We harboring no Hellinic images, stand/ In apathy mute before our window pane,/ And muse upon the blankness." "September" (1891) IN: Gerson & Davies, 298. Comment: The changing seasons are thematized in the two foregoing poems. HARTSFIELD, Carla (b. 1956): "Cyclone" IN: Harris, 166-167. Comment: Human struggling with impressive natural phenomenon. HAWLEY, Helen (b. 1937): "Winds of My Country" IN: Forrie, 83. Comment: There are many other wind poems. HAYES, Kate Simpson (1852-1943): "Prairie Verses" (1895) IN: Gerson & Davies, 313. Comment: Impressions of a prairie scenery at the beginning of winter. HAYMAN, Robert (1575-1629): "The Pleasant Life in Newfoundland" IN: Atwood, 1-2. Comment: (cf. "Quodlibets", IN: Colombo (1978), 26-27.) Land accepted and welcomed. "Quodlibets" (1628) IN: Colombo (1978), 26-27; Daymond & Monkman, I, 12-13; Gerson & Davies, 19-21. HEAVYSAGE, Charles (1816-1876): "The stars are glittering in the frosty night" IN: Atwood, 7; Carman/ Bliss/ Rhodenizer, 21. "The Winter Galaxy" IN: Atwood, 7; Smith, 10. Comment: Universal glimpse at the beauty of the Canadian landscape. Consider: The form chosen is that of the sonnet. A dignified form is chosen for a dignified theme. This holds good also for the sonnet "The Night", IN: Smith, 10. HÉBERT, Anne (1916-2000): "Spring over the City" (1960) IN: Daymond & Monkman, II, 325. Comment: Originally written in French. Transl. Alan Brown. Theme: Spring as a season of powerful changes: "Winter capsizes, splits like a rotten hull ... ." "Snow" (1960) IN: Daymond & Monkman, II, 324; Glassco, 138. Comment: Originally written in French. "Snow puts us in a dream", proclaiming "the coronation of childhood". Response to snow presented in oxymoronic terms. "Under the Rain" IN: Glassco, 144. Comment: Originally written in French. Transl. John Glassco. Rain shown as assuaging human grief. HELWIG, David (b. 1938): "Figures in a Landscape" (1967/1969) IN: Daymond & Monkman, II, 606-607. Comment: Hunting scene: a vixen hunting a "soft doe rabbit". HENAULT, Gilles (b. 1920): "Hail to Thee" IN: Litteljohn & Pearce, 228. Comment: Poem with an ecological significance. On genocide and resource depletion. "Hail to Thee" IN: Glassco, 146-147. Comment: Originally written in French. Transl. F.R. Scott. A white persona addressing "redskins", admiring their spiritual closeness to nature. "Times at the Dawn of Time" IN: Glassco, 148. Comment: Originally written in French. Transl. Peter Miller. Poetic exploration of "Palaeolithic times", "Times of fossil pleasure/ in a calcareous world". "Genesis Abridged (Apocryphal) - To Roland Giguère" IN: Glassco, 149-153. Comment: Originally written in French. Transl. John Glassco. "... man was fooled by mirages/ age after age/ In a desert of thirst, of sand/ and of unquenchable desires." HIDGINS, J.G.: "ON-TA-RI-O" IN: Dewart, 162-164. Comment: Topographical poem. HINE, Daryl (b. 1936): "On this Rock" (1975) IN: Daymond & Monkman, II, 589-590. Comment: Poem questions anthropocentrism: "... men are freaks,/ In the original program of creation,/ Afterthoughts." HUNTER-DUVAR, John (1830-1899): From: De Roberval ["Niagara"] (1888) IN: Daymond & Monkman, I, 225-227. Comment: Niagara Falls evoke the notion of the ineffable: " ... O God of Might./ ... This masterpiece of Thine Almighty hand/ Transcends the reach of words." "Making an Arcadian Farm" IN: Colombo (1978), 48-49. Comment: The positive experience of settling. Difficulties are overcome. |