TY  - JOUR
A1  - Ritte, Jürgen
A2  - Braun, Michael
A2  - Stahl, Henrieke
A2  - Valtolina, Amelia
T1  - Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
T1  - Breaking Waves, Broken Language: On Nature in the Poetry of Jean Krier
T2  - Internationale Zeitschrift für Kulturkomparatistik Bd. 4 (2021): Natur in Transition: Europäische Lyrik nach 1945
N2  - Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other.
KW  - Jean Krier
KW  - 20th century German-language poetry
KW  - nature poetry
KW  - deconstruction
KW  - language skepticism
Y1  - 2021
UR  - https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/2655
UR  - https://nbn-resolving.org/urn:nbn:de:hbz:385-1-26553
SP  - 145
EP  - 156
ER  -