TY  - JOUR
A1  - Rutten, Ellen
A2  - Fees, Anna
A2  - Stahl, Henrieke
A2  - Telge, Claus
T1  - Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре
T1  - Code “garbage” - crooked handwriting - typo: Imperfection as a literary device in the digital age
T2  - Internationale Zeitschrift für Kulturkomparatistik Bd. 12 (2024): Political Poetry, Performativity, and the Internet
N2  - In this digitized age, we witness a transnational interest in the ‘aesthetics of imperfection’ – aesthetic gestures that foreground shortcomings, mistakes, and flaws. Blockbusters shot with cheap cameras, trash fashion, consciously blurry photos, glitch music: for the cultural producers and consumers of these and other aesthetic practices, the unpolished object is not a taboo but rather an asset or a hallmark of sincerity, authenticity, and other positive values. With the help of existing scholarship, in this article, I will study and compare the writings of three Russian poets/artists: Vera Khlebnikova, Vera Pavlova, and Linor Goralik. Each uses conceptual as well as formal, grammatical, and/or stylistic imperfections as an aesthetic device. The aim of my analysis is to juxtapose and historically contextualize the social anxieties that inform these and other present-day creative practices that foreground the imperfect.
KW  - imperfection
KW  - digitization
KW  - aesthetics
KW  - literature
KW  - Khlebnikova
Y1  - 2024
UR  - https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/2752
UR  - https://nbn-resolving.org/urn:nbn:de:hbz:385-1-27527
SP  - 21
EP  - 53
ER  -