TY  - JOUR
A1  - Barkovskaja, Nina
A2  - Fees, Anna
A2  - Stahl, Henrieke
A2  - Telge, Claus
T1  - Дискурсивный коллаж в стихах Натальи Романовой
T1  - Discursive collage in verses by Natalya Romanova
T2  - Internationale Zeitschrift für Kulturkomparatistik Bd. 12 (2024): Political Poetry, Performativity, and the Internet
N2  - As an object, the last three books of N. Romanova’s poems are considered: “Atrocity” («Зверство»), “Cannibalism” («Людоедство» –both 2015), “Textbook of literature for morons” («Учебник литературы для придурков», 2019). Her works can be attributed to the St. Petersburg branch of the counterculture. Performative, transgressive “trash poetry” of Romanova is a speech gesture of illocutionary nature. Her “offensive art” violates the norms of decency, common sense, tolerance, and poetic canon. The texts are built as a collage of fragments of discursive practices: fake news, ideological clichés, allusions to the classics, youth jargon of hipsters, vulgarisms and obscene vocabulary. Romanova’s poetry demonstrates the devastation of cultural signs, the grotesque idiocy of the overwhelming mass of consumer society.
KW  - contemporary Russian poetry
KW  - performance
KW  - counter-culture
KW  - intertext
KW  - transgression
Y1  - 2024
UR  - https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/2815
UR  - https://nbn-resolving.org/urn:nbn:de:hbz:385-1-28159
SP  - 55
EP  - 74
ER  -