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Медиальность, перформативность и структура текста в поэтической практике Оксаны Васякиной

Mediality, Performativity, and Text Structure in Oksana Vasyakina’s Poetic Practice

  • This article explores forms of performativity in the poetry of Oksana Vasyakina. Vasyakina considers poetry as part of poetic activism related to the assertion of women’s rights in a patriarchal society. Poetic expression – direct and provocative – responds with aggression to aggression, appropriating a position of power. Violence can only be defeated by finding one’s own voice, for which there is no place in a totally masculine culture. Therefore, Vasyakina’s most important idea is the idea of acquiring authentic speech as a long process that involves both overcoming social stereotypes and overcoming oneself, grounding her poetry in a performativity that is simultaneously pragmatic, thematic, and poetological.

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Metadaten
Author:Александр Житенев
URN:urn:nbn:de:hbz:385-1-26891
DOI:https://doi.org/10.25353/ubtr-izfk-2eef-548d
Parent Title (Multiple languages):Internationale Zeitschrift für Kulturkomparatistik Bd. 06 (2022): Poetics and Politics by Women in the Post-Soviet Space
Editor:Anna Fees, Henrieke Stahl, Claus Telge
Document Type:Article
Language:Russian
Date of completion:2022/07/18
Date of publication:2022/07/18
Publishing institution:Universität Trier
Release Date:2026/01/26
Tag:contemporary Russian poetry; feminist poetry; media; performativity; text structure
Number of pages:14
First page:115
Last page:128
Institutes:Fachbereich 2
Licence (German):License LogoCC BY: Creative-Commons-Lizenz 4.0 International

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