The articles presented in this volume deal with recent poetry and focus on the connection between politics, performativity, and the internet in multiple literatures and intercultural relations. Although the majority of these texts belong to the Russophone world, poetry from Serbia, Latvia, and China is also considered. The contributors demonstrate, on the one hand, how newer poetry softens genre distinctions and formally tends towards multimedia hybridization and, on the other, how it transcends or dissolves linguistic, cultural, and social boundaries.