Refine
Year of publication
Document Type
- Doctoral Thesis (503)
- Article (95)
- Book (95)
- Contribution to a Periodical (55)
- Working Paper (40)
- Part of a Book (36)
- Part of Periodical (12)
- Review (10)
- Other (9)
- Master's Thesis (8)
- Conference Proceedings (5)
- Course Material (3)
- Report (3)
- Bachelor Thesis (2)
- Habilitation (2)
- Lecture (2)
- Retro digitized Object (2)
- Examination Thesis (1)
Language
- German (883) (remove)
Keywords
- Deutschland (61)
- Luxemburg (29)
- Geschichte (24)
- Demokratie (20)
- Film (19)
- Schule (18)
- Juden (15)
- Politischer Unterricht (15)
- Tourismus (15)
- Schüler (14)
Institute
- Psychologie (118)
- Raum- und Umweltwissenschaften (109)
- Politikwissenschaft (76)
- Universitätsbibliothek (76)
- Rechtswissenschaft (55)
- Fachbereich 3 (53)
- Medienwissenschaft (53)
- Geschichte, mittlere und neuere (44)
- Wirtschaftswissenschaften (36)
- Germanistik (27)
- Kunstgeschichte (22)
- Fachbereich 6 (19)
- Mathematik (18)
- Soziologie (17)
- Fachbereich 2 (15)
- Fachbereich 1 (14)
- Informatik (12)
- Philosophie (10)
- Computerlinguistik und Digital Humanities (8)
- Fachbereich 4 (8)
- Romanistik (8)
- Anglistik (6)
- Fachbereich 5 (5)
- Geschichte, alte (5)
- Allgemeine Sprach- und Literaturwissenschaft (4)
- Ethnologie (4)
- Klassische Philologie (4)
- Pädagogik (4)
- Sinologie (3)
- Archäologie (2)
- Institut für Rechtspolitik (2)
- Japanologie (2)
- Servicezentrum eSciences (2)
- Forschungszentrum Europa (1)
- Phonetik (1)
- Slavistik (1)
- Theologische Fakultät (1)
Anlässlich der Edition des mhd. 'Geiertraktats' (Stürmer 1978), einer heilkundlichen sog. Drogen-Monographie aus dem 13. Jahrhundert mit langanhaltender volkssprachlicher Überlieferung bis in die frühe Neuzeit, werden in diesem weit ausholenden Besprechungsaufsatz unterschiedliche naturkundliche Traditionen des Mittelalters an den beiden Vögeln Geier (Medizin) und Pelikan (christliche Tierallegorese und Ikonographie) vergleichend dargestellt.
For the period 1927 to 1935 this research work focuses on the ideologies and propaganda organisations aiming at the global propagation of their specific view on fascism. The book is meant as a contribution to the history of Fascist ideology as well as to the history of Fascist organisations. Corresponding to the ideological indefiniteness of Mussolini's regime and its institutional experimentation those approaches interpreting Fascism as a universal phenomenon and striving for its dissemination beyond the Italian borders were themselves polymorphic and diffuse. They merely shared imperialistic ambitions either in terms of imperialismo spirituale or with regard to the conquest of foreign territories. The first part of the book conceived as a history of ideologies studies the diverse approaches to Fascist universalism against the background of the evolvement of a Fascist cultura. In the second part non-governmental organisations directed towards Fascist propaganda abroad and their development in interdependence with the formation of a national propaganda system are analysed.
The painter Marianne Werefkin (born 1860; died 1938), from the circle of artists known as the Blue Rider (Der Blaue Reiter) in Munich and lifelong companion of Alexej Jawlenskys, lived in Russia and Latvia the first 36 years of her life. She received her artistic education in Moscow and St. Petersburg. Nevertheless the influence of Russian art on her Munich creative phase has been until now been omitted from research literature. Hence it lacks an important basis for the understanding of her creative output. In many respects Marianne Werefkin led the way in bringing the goals of so-called Russian Realism (russischen Realismus) onto another level, one in which the transmission of emotions was seen as a central aspect. The way the pictures of her teacher Ilja Repin had nothing to do with superficial emotion through simple moralistic categorization, but rather the painter demonstrated life's interconnectedness. After a new artistic beginning in Munich Werefkin took out the historical-daily context from her motifs, since, in the spirit of her time, she had recognized that everything visible was illusion. However she made use of actual reality as a repertoire of symbols for her own feelings, representing universal situations and allowing the total picture space to be the bearer of emotions. In that respect she is different from Wassily Kandinsky, who employed abstraction until reference to reality dissolved. Art for Werefkin involved no self-purpose, but should have a positive influence upon the observer. Narrative instruction is pushed to the background through the way it interacts, which depends upon knowledge of psychology and spiritual groups.
Mothers and Daughters: The Female English Bildungsroman, 1811-1915 This dissertation analyses the mother-daughter-relationship of five female apprenticeship novels. In the course of the study of Jane Austen's Sense and Sensibility (1811), Charlotte Brontë's Jane Eyre (1847), Elizabeth Gaskell's Wives and Daughters (1865), George Eliot's The Mill on the Floss (1860) and Virginia Woolf's The Voyage Out (1915) modern feminist, psychological, and psychoanalytical theories concerning the mother-daughter-conflict and female development are considered as well as autobio-graphic material and the authoresses' Œuvres. The historical context, the social and psychohistoric con-ditions, and changes in England during the 19th and beginning 20th century (especially concerning family, female socialisation and role training, motherhood, children's education) are studied and the features and achievements of the female Bildungsroman, that experiences an upswing during this time, emphasized. The dissertation shows the development of the female apprenticeship novel concerning its presentation of mother, daughter, and mother-daughter-relationship and also the enormous progressive-ness of this genre concerning the description of details of this relationship. The analysis demonstrates that all novels show complex and problematic mother-daughter-relationships, that for the daughters are on the one hand traumatic, but on the other hand lead to self-discovery and autonomy. The texts present the mother-daughter-relationship as highly ambivalent, oscillating between love, identification, aggression, rejection, rivalry, and rebellion. In this way they serve to correct the female doctrine and the ideological mother image of the Victorian period as much as the cliché of childhood as an idyllic condition without conflicts, and thus anticipate psychological discoveries and efforts of later periods. Furthermore, it becomes obvious that the authoresses put their own problematic mother-daughter-relationship into literary form and thus try to overcome it; that the fictitious mother-daughter-relation-ships often have a compensatory function. The fact that the analysed novels admit to the mother-daughter-relationship so early such an importance, constitutes their rank and justifies their place in the English literature and culture.
Bürgerfernsehen
(2004)
Die vorliegende Studie befaßt sich zunächst mit der theoretischen Reflexion von Aufgaben und Potentialen Offener Kanäle. Dabei wird gezielt auf ihre Funktion für eine demokratische politische Kultur abgestellt. Die anschließende Betrachtung der deutschen Fernsehordnung als Rahmen für den Betrieb Offener Kanäle verdeutlicht zum einen die Differenzen in der immanenten Logik ihrer beiden Teilsysteme. Zum anderen wird die zunehmende Regionalisierung der Fernsehangebote beschrieben und ihr Einfluß auf die Entwicklung Offener Kanäle aufgezeigt. Die empirische Auseinandersetzung mit dem Bürgerfernsehen selbst beginnt mit einer kurzen Aufarbeitung seiner Geschichte im In- und Ausland, an die sich Überlegungen zur Gestaltbarkeit von Offenen Kanälen und zu ihrer politischen Steuerbarkeit anschließen. Nach einer Bestandsaufnahme des gegenwärtigen wissenschaftlichen Kenntnisstandes über die Bürgersender wird auf der Grundlage einer Typologie ihrer möglichen Ausprägungen das Spannungsverhältnis zwischen den Zielen des Zuschauerbezugs und des freien und gleichberechtigten Zugangs zu den Sendeplätzen thesenartig formuliert. Diese "Verhärtungsthese" bildet den Hintergrund für die beschreibende Analyse der Offenen Kanäle in Rheimland-Pfalz, die auf den Ebenen der Produzenten, der Inhalte und der Zuschauer erfolgt. Dabei wird insbesondere auf den Zielkonflikt von gleichberechtigtem Zugang und zuschauergerechter Programmgestaltung eingegangen und der Einfluß kommerzieller Interessen auf den Offenen Kanal untersucht.
Improving market opportunities for local public transportation requires marketing strategies which put the customer in the centre of business considerations. The customer is the "source of wealth", for he or she provides for turnover, income and market dynamics. This context is the crucial market-strategy approach in the public transport sector. Therefore the most important element in the strategic marketing approach of customer orientation in public transportation is not only to design a self-contained system of marketing measures for convincing potential customers of the advantages of the product, but also to create "product quality" in order to gain "customer confidence". The key point of the concept of a customer-oriented "public transport/ation supply structure" is to develop a simplified method of estimating the market potential in order to confirm or verify sufficient demand effects that are predominantly based on traffic corridors burdened with heavy car traffic. Correspondingly, a public transport/ation supply structure is developed which will offer the customer extensive and therefore attractive access to public transport. Applying this attractive public transport/ation system enables the use of "economic potentials" for financing public transport outside urban agglomerations, which is only made possible by a consistent strategic marketing concept of customer orientation.
Die Somatisierungsstörung, Zustände zahlreicher wechselnder körperlicher Beschwerden, die nicht durch medizinische Befunde erklärbar sind, stellt eine häufige und gravierende, dennoch bisher kaum untersuchte psychische Erkrankung dar. Weitgehend unbekannt sind die Ursachen und der Entstehungsprozess. Die Arbeit geht der Frage nach, welche Merkmale für Patienten mit Somatisierungsstörung charakteristisch sind und deshalb als störungsspezifische persönliche Risikofaktoren in Betracht kommen. 110 Patienten in stationärer psycho-therapeutischer Behandlung wurden untersucht. Die Resultate zeigen bei Patienten mit Somatisierungsstörung im Vergleich zu Patienten mit anderen, vorwiegend ängstlich-depressiven psychischen Störungen vermehrte Schwierigkeiten im Erkennen und Benennen von Gefühlen (Alexithymie), eine stärker ausgeprägte Überzeugung, unkalkulierbaren äußeren Einflüssen unterworfen zu sein (fatalistisch-externale Kontrollüberzeugungen) und eine Abweichung im System der hormonellen Stressregulation (Hypothalamus-Hypophysen-Nebennierenrinden-Achsen-Funktion). Weiter ergaben sich Hinweise auf eine Veränderung im Zusammenspiel der Großhirn-Hemisphären (funktionelle hemisphärische Lateralität) bei der Gesamtheit der untersuchten Patienten im Vergleich zu Gesunden. Darüber hinaus konnte eine befriedigende Zuverlässigkeit (Retest-Reliabilität) der verwendeten Methode der Cortisolbestimmung festgestellt werden.
In a number of experiments, emotional pictures elicited a frontal positive slow wave in the event-related potential (ERP). This slow wave was initially interpreted as an indes of affective information processing, but one experiment showed that this component was also elicited by emotional neutral pictures in a cognitiven processing task. The aim of the present work was to reanalyse the functional significance of this slow wave. A first section of this work presents a theoretical examination of visual pathways by the brain. This section is supplemented by an overview of the principals of ERP methodology and a review of methods to correct ocular artifacts in the ERP. A second section describes two experiments. The aim of the first experiment was to examine the hypothesis that the frontal positive slow wave is an artifact of eye movements due to the presentation of visual stimuli. This hypothesis was examined with a paradigm that facilitates a systematic variation of eye movements by the visual presentation of matrices. The aim of the second experiment was to examine the hypothesis that a mere perceptual analysis of pictures does not elicit the frontal positive slow wave, but that a content analysis of the pictures is required to elicit this component. This hypothesis was investigated by a variation of content processing demands while the pictures were presented. The results of both experiments confirmed the main hypotheses.