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This socio-pragmatic study investigates organisational conflict talk between superiors and subordinates in three medical dramas from China, Germany and the United States. It explores what types of sociolinguistic realities the medical dramas construct by ascribing linguistic behaviour to different status groups. The study adopts an enhanced analytical framework based on John Gumperz’ discourse strategies and Spencer-Oatey’s rapport management theory. This framework detaches directness from politeness, defines directness based on preference and polarity and explains the use of direct and indirect opposition strategies in context.
The findings reveal that the three hospital series draw on 21 opposition strategies which can be categorised into mitigating, intermediate and intensifying strategies. While the status identity of superiors is commonly characterised by a higher frequency of direct strategies than that of subordinates, both status groups manage conflict in a primarily direct manner across all three hospital shows. The high percentage of direct conflict management is related to the medical context, which is characterised by a focus on transactional goals, complex role obligations and potentially severe consequences of medical mistakes and delays. While the results reveal unexpected similarities between the three series with regard to the linguistic directness level, cross-cultural differences between the Chinese and the two Western series are obvious from particular sociopragmatic conventions. These conventions particularly include the use of humour, imperatives, vulgar language and incorporated verbal and para-verbal/multimodal opposition. Noteworthy differences also appear in the underlying patterns of strategy use. They show that the Chinese series promotes a greater tolerance of hierarchical structures and a partially closer social distance in asymmetrical professional relationships. These disparities are related to different perceptions of power distance, role relationships, face and harmony.
The findings challenge existing stereotypes of Chinese, US American and German conflict management styles and emphasise the context-specific nature of verbal conflict management in every culture. Although cinematic aspects affect the conflict management in the fictional data, the results largely comply with recent research on conflict talk in real-life workplaces. As such, the study contributes to intercultural trainings in medical contexts and provides an enhanced analytical framework for further cross-cultural studies on linguistic strategies.
The main aim of "Her Idoll Selfe"? Shaping Identity in Early Modern Women- Self-Writings is to offer fresh readings of as yet little-read early modern women- texts. I look at a variety of texts that are either explicitly concerned with the constitution of the writer- self, such as the autobiographies by Lady Grace Mildmay and Martha Moulsworth, or in which the preoccupation with the self is of a more indirect nature, as in the mothers" advice books by Elizabeth Grymeston, Dorothy Leigh, Elizabeth Richardson or the anonymous M. R., or even in women- poetry, drama and religious verse. I situate the texts in the context of early modern discourses of femininity and subjectivity to pursue the question in how far it was possible for early modern women to achieve a sense of agency in spite of their culturally marginal position. In that, my readings aim to contribute to the ongoing critical process of decentring the early modern period. At the same time, I draw on contemporary theory as a methodological tool that can open up further dimensions of the texts, especially in places where the texts provide clues and parallels that lend themselves to a theoretical approach. Conversely, the texts themselves shed interesting light on feminist and poststructuralist theory and can serve as testing grounds for the current critical fascination with fragmentation and hybridity. Having outlined the theoretical and methodological framework of my study, I then analyse the women- writings with reference to a matrix of paradigmatic dimensions that encompass their most prominently recurring themes: the notion of writing the self, relationships between self and other, demarcations of private and public, the women- notorious preoccupation with self-loss and death, as well as the recurrent theme of the "golden meane". I suggest that this motif can provide the vital cue to early modern women- constitution of self. The idea of a precarious "golden meane" links in with to parallel discourses of moderation and balance at the time, but reinterprets them in a manner that can present a workable and innovative paradigm of subjectivity. Instead of subscribing to a model of decentred selfhood, early modern women- presentations of self suggest that a concluding but contested compromise is a workable strategy to achieve a form of selfhood that can responsibly be lived with.
1.The Discursive Construction of Black Masculinity: Intersections of Race, Gender, and Sexuality
1.1.The Plight of Black Men: A History of Lynchings and Castrations
1.2.The Discursive Construction of the Black Man as Otherrn
1.3.Black Corporeality and the Scopic Regime of Racism
2. Ralph Ellison's 'Invisible man'
2.1.Invisible Black Men: Between Emasculation and Hypermasculinityrn
2.2.Transcending Invisibility