The Orbita multimedia and poetry collective, based in Riga, Latvia, has succeeded in making poetry written in Russian an integral part of the Latvian cultural and literary scene, despite the burden borne by Russian language and culture in this society as a result of still unsettled and contested histories of Russian and Soviet imperial domination and cultural imperialism. The article explains this achievement as resulting from the Orbita collective’s practices of “performative translation,” which make translation a highly visible and central element of various forms of artistic activity, including multimedia installations, book publishing, video poetry, public performance, proper, and more. In traditional cultural configurations, translation is thought to transfer the essential features or the spirit of a text from one literary language to another in a manner that makes possible the translation’s readers’ sense of unmediated contact with the original. Such a conception of translation supports the monolingual paradigm – the cultural ideology of separate and distinct national languages – and the political actualities to which it corresponds. Orbita’s practices of performative translation, in contrast, create a multilingual heterotopia in which the actuality of translation as mediation is rendered visible, the boundedness and distinctiveness of national literary languages is undermined, and the social necessity and ubiquity of acts of translation is brought to the fore.

The target of this essay is to open possible pathways to approach the phenomenon of a self-remodeling of classicist poetry in the 20th and early 21st century by focusing on the process from two different angles rarely perceived as related to each other: first, the remodeling of Chinese lyrical classicism through a strand of modern American poetry harking back to Ezra Pound and currently crystallized in the translations of David Hinton and, second, the transition that modern Chinese poetry written in classical language and conforming to prosodic rules of classical style poetry, sometimes referred to as “old style poetry” jiu ti shi, underwent after its rebirth as “unofficial” poetry online since the beginning of this century. Although there are obviously no direct links between the aforementioned tradition of modern American poetry and neoclassicist cyberpoets like Zeng Shaoli I argue that in both cases the classicist inspiration and poetic drive is motivated by concern with the increasing imbalance between natural, social, and individual resources, on the one hand, and an indomitable desire to accumulate economic and political power on the other. A permanent devaluation of language in the human realm, matched by a permanent devaluation of currencies in the economic sphere, provokes poetic responses in the very interest of humanity. The neoclassicist lyricisms that I draw into comparison display both subtle distinctions and common traits in this response to the starkly different environments of their respective contemporary literary scenes.

The paper focuses on two blogger-poets, Maja Solar and Jelena Savić, who create poetry and conceptualize the relationship between philosophy and politics. Maja Solar is a refugee from Croatia, now living in Serbia, who sometimes mixes Serbian and Croatian language standards. In her poems, she combines the lyrical with the experimental, while in her essays, she critically reflects on neo-liberalism. The authors discuss her dual position(s), as a poet and philosopher active in the Gerusija philosophy collective from Novi Sad. Jelena Savić is a poet of Romani descent, whose poetry takes identity politics as both its point of departure and object of critique. The authors examine how her experimental writing embodies this dual position. More specifically, the paper investigates how Solar and Savić construct themselves online as engaged intellectuals, poets and writers. In the case of Maja Solar, the authors focus on “Ispod crte”, a blog created by the collective “Za kulturne politike: politika kulture”, and the Gerusija collective’s magazine “Stvar”. By using these examples, the authors review her place in the micro-social map of younger critical intellectuals. In her blog “Usernamekaspoetry: Biti žena, Romkinja, pesnikinja”, Jelena Savić discusses her paradoxical position as an almost invisible poet in the national context, and questions the place of minorities within the nationally homogenous Serbian society. In 2017, Savić started writing about problems of education in the regional e-magazine “Proлetter” and her work became more visible in the post-Yugoslav context.

In this digitized age, we witness a transnational interest in the ‘aesthetics of imperfection’ – aesthetic gestures that foreground shortcomings, mistakes, and flaws. Blockbusters shot with cheap cameras, trash fashion, consciously blurry photos, glitch music: for the cultural producers and consumers of these and other aesthetic practices, the unpolished object is not a taboo but rather an asset or a hallmark of sincerity, authenticity, and other positive values. With the help of existing scholarship, in this article, I will study and compare the writings of three Russian poets/artists: Vera Khlebnikova, Vera Pavlova, and Linor Goralik. Each uses conceptual as well as formal, grammatical, and/or stylistic imperfections as an aesthetic device. The aim of my analysis is to juxtapose and historically contextualize the social anxieties that inform these and other present-day creative practices that foreground the imperfect.

This volume brings together contributions addressing the intersections of political poetry, performativity, and the internet. The essays are based on presentations given at workshops and conferences organized by the DFG Centre for Advanced Studies “Russian-Language Poetry in Transition: Poetic Forms of Dealing with Boundaries of Genre, Language, Culture and Society between Europe, Asia and America” (2017-2023). The conferences took place in 2018-2019, at a time when neither the coronavirus pandemic nor Russia’s brutal invasion of Ukraine were foreseeable, and the contributions have not been updated in light of these catastrophes. The articles presented here deal with recent poetry and focus on the connection between politics, performativity, and the internet in multiple literatures and intercultural relations. Although the majority of these texts belong to the Russophone world, poetry from Serbia, Latvia, and China is also considered. The contributors demonstrate, on the one hand, how newer poetry softens genre distinctions and formally tends towards multimedia hybridization and, on the other, how it transcends or dissolves linguistic, cultural, and social boundaries. Dr. Ekaterina Friedrichs and Ms. Lena Rosalin Schwarz were involved in preparing this publication for printing. We would like to thank them both for their careful review and wonderful cooperation.

Metaphorical shifts from one subject area to another are a central structural strategy in Inger Christensen’s work. This principle will be demonstrated and discussed in this paper by referring to the poem “Gopler” [“Jellyfish”] from “lys” [“light”], 1962. The Danish contemporary poet Pia Tafdrup, whose work is influenced by Christensen, also makes use of a distinctive, associative imagery in her pentalogy “De fem sanser” [“The Five Senses”] (2014–2022). This paper contrastively explores the ways in which metaphorical shifts function in Christensen’s and Tafdrup’s poetry. Christensen realizes the metaphors’ potential in a radical way through the semantic superimposition of different subject areas. Thus, the regularities of the designed world are solely valid within linguistic structures, opening up new spaces of cognitive experience. In Tafdrup’s work, the texts’ different levels of meaning tend to remain separable. Here, the focus is on an associative technique of erratic and surprising transmissions, often applied to the external and the internal in a way that the cutting conciseness of the poems touch the reader almost sensually.

Inger Christensen’s alfabet is one of the most formative contributions in Danish eco-poetry that also initiates a broad reception of Christensen’s œuvre in German literature. Besides the ecocritical tendencies the text establishes a self-referential dimension that deals with the relation between a human speaker, its speaking about ‘world’ and its reference. In this regard the text implicitly debates the verbal material and its (connotative) semantics that one has to use. This dimension of alfabet is one of the main linking points for a productive reception by Herta Müller. Especially her collages published in Schreibheft expose the materiality of linguistic signs and speech. In addition to this, the specific constitution of the collages which are made of newspapers and magazines shows that linguistic signs not only refer to a real reference but also (and mainly) to discourses and other prior communicative contexts.

This article investigates selected texts and oral performances by two contemporary authors, Nico Bleutge and Mette Moestrup, who adapt or rewrite Christensen’s poems. In the works focused on (Moestrups poems “My Language” and “Hvad betyder det for sommerfuglen”, Bleutge’s speech “Den Wiederholungen folgen” and the poem “fischhaare finden”), translation plays a central role, and animals (especially winged ones) become a motor for transformational movements between languages and authors. Unsettling the semantic and structural level of language, the named birds and butterflies set loose acoustic dynamics that lead us back to Christensen’s reflections on mortality, contingency, and poetics in her essays.

This essay discusses the relationship between Inger Christensen’s work and contemporary Danish eco-literature. Christensen can seem like a towering predecessor. Yet, the relationship is more complex than a question of anxiety of influence. This essay argues that Christensen and contemporary Danish literature exhibit differing ecological imaginaries, and that this becomes clear when one examines Christensen’s utopian writing, her heliocentric utopianism, of the late seventies and early eighties, and when one examines how ecological threats are depicted in her work. For Christensen, the paradigmatic threat to the world is the nuclear bomb and its excessive use of energy, for today’s literature it is the feedback loops of pollution, exemplified in the threat of climate change.

This article discusses the high regard for Danish poet Inger Christensen in Germany and her connection to the Künstlerhaus [Artists’ Residence] in Edenkoben, located in Rhineland-Palatinate. The Künstlerhaus serves as a cultural institution where international artists from various fields can reside and collaborate. Inger Christensen had strong connections with the Künstlerhaus Edenkoben and participated in its German-Danish poetry project. During her visits to Edenkoben, she wrote several poems. In an essay, the poet described Edenkoben’s landscape as paradise-like. This article, on the one hand, examines these texts in the context of Inger Christensen’s stay in Edenkoben. On the other, it sheds light on “Weg der Gedichte”, a project that stages Inger Christensen’s poem “Erinnerung an Edenkoben” in a public space around the Künstlerhaus, showcasing the role of poetry in rural settings and its ability to enhance the experience of nature and hiking.

Inger Christensen muss vielleicht als die bedeutendste dänische Dichterin der zweiten Hälfte des 20. Jahrhunderts gelten, die auch im deutschsprachigen Raum große Beachtung fand. Ihr Einfluss auf die gegenwärtige deutschsprachige und skandinavische Lyrik wird in diesem Band erstmalig untersucht. Die hier versammelten Beiträge folgen den Spuren Inger Christensens in den lyrischen und essayistischen Arbeiten von Thomas Kling, Nico Bleutge, Herta Müller, Oswald Egger, Pia Tafdrup, Mette Moestrup, Silke Scheuermann, Jan Wagner, Uljana Wolf, Amalie Smith, Birgitta Trotzig und anderen. Dabei widmen sich die Studien sowohl Christensens sprachtheoretischen Reflexionen und den formalen Einflüssen ihres Werks und deren Transformationen in der Gegenwartslyrik als auch den thematischen Gegenständen ihrer Dichtung, insbesondere ihrem Naturkonzept und dessen Adaption in neueren ökokritischen Ansätzen.

In the face of uncontrollable complexity, the concept of a rational design of the organization is being replaced by the notion of an open future that is inherently unpredictable and unplanable. In rapidly changing environments, organizations and leaders are confronted with a constant stream of irritations and unexpected developments, that require ongoing attention. This prompts the question of whether the conceptualization of digital transformation as a paradigm shift also implies the need for new forms of leadership. The article analyzes the discourse on digital leadership and assesses the extent to which this concept relativizes leadership in the context of the evolution of leadership theory, which is characterized by a persistent process of modification and relativization of preceding concepts. Leadership concepts are not only responsive to general needs, but also vary according to specific contexts, such as non-profit leadership or leadership in social welfare organizations and meta-organizations. Results of a discourse analysis, which underscore the significance of adopting a complexity theory perspective on digital leadership, will therefore be contrasted with the initial findings of an empirical study on digitization in such meta-organizations. This allows for a discussion of the general findings on the revitalization of leadership, which will serve as a paradigmatic example of the previously developed context. The article concludes with implications for further theory development with the aim of making a specific contribution to organization-sensitive digitization research. The findings of the empirical study indicate the significance of employing informal structures and a heightened emphasis on subjectivity within meta-organizations, as opposed to the formal structures of organizations. The concept of digital leadership does not signify the obsolescence of traditional leadership; rather, it can be conceptualized as an advanced form of unheroic leadership within the context of external and internal complexity.

Attention in social interactions is directed by social cues such as the face or eye region of an interaction partner. Several factors that influence these attentional biases have been identified in the past. However, most findings are based on paradigms with static stimuli and no interaction potential. Therefore, the current study investigated the influence of one of these factors, namely facial affect in natural social interactions using an evaluated eye-tracking setup. In a sample of 35 female participants, we examined how individuals’ gaze behavior responds to changes in the facial affect of an interaction partner trained in affect modulation. Our goal was to analyze the effects on attention to facial features and to investigate their temporal dynamics in a natural social interaction. The study results, obtained from both aggregated and dynamic analyses, indicate that facial affect has only subtle influences on gaze behavior during social interactions. In a sample with high measurement precision, these findings highlight the difficulties of capturing the subtleties of social attention in more naturalistic settings. The methodology used in this study serves as a foundation for future research on social attention differences in more ecologically valid scenarios.

Aims: Fear of physical activity (PA) is discussed as a barrier to regular exercise in patients with heart failure (HF), but HF-specific theoretical concepts are lacking. This study examined associations of fear of PA, heart-focused anxiety and trait anxiety with clinical characteristics and self-reported PA in outpatients with chronic HF. It was also investigated whether personality-related coping styles for dealing with health threats impact fear of PA via symptom perception. Methods and results: This cross-sectional study enrolled 185 HF outpatients from five hospitals (mean age 62 ± 11 years, mean ejection fraction 36.0 ± 12%, 24% women). Avoidance of PA, sports/exercise participation (yes/no) and the psychological characteristics were assessed by self-reports. Fear of PA was assessed by the Fear of Activity in Situations–Heart Failure (FActS-HF15) questionnaire. In multivariable regression analyses higher NYHA class (b = 0.26, p = 0.036) and a higher number of HF drugs including antidepressants (b = 0.25, p = 0.017) were independently associated with higher fear of PA, but not with heart-focused fear and trait anxiety. Of the three anxiety scores only increased fear of PA was independently associated with more avoidance behavior regarding PA (b = 0.45, SE = 0.06, p < 0.001) and with increased odds of no sports/exercise participation (OR = 1.34, 95% CI 1.03–1.74, p = 0.028). Attention towards cardiac symptoms and symptom distress were positively associated with fear of PA (p < 0.001), which explained higher fear of PA in patients with a vigilant (directing attention towards health threats) coping style (p = 0.004). Conclusions: Fear of PA assessed by the FActS-HF15 is a specific type of anxiety in patients with HF. Attention towards and being distressed by HF symptoms appear to play a central role in fear of PA, particularly in vigilant patients who are used to direct their attention towards health threats. These findings provide approaches for tailored interventions to reduce fear of PA and to increase PA in patients with HF.

The viviparous eelpout Zoarces viviparus is a common fish across the North Atlantic and has successfully colonized habitats across environmental gradients. Due to its wide distribution and predictable phenotypic responses to pollution, Z. viviparus is used as an ideal marine bioindicator organism and has been routinely sampled over decades by several countries to monitor marine environmental health. Additionally, this species is a promising model to study adaptive processes related to environmental change, specifically global warming. Here, we report the chromosome-level genome assembly of Z. viviparus, which has a size of 663 Mb and consists of 607 scaffolds (N50 = 26 Mb). The 24 largest represent the 24 chromosomes of the haploid Z. viviparus genome, which harbors 98% of the complete Benchmarking Universal Single-Copy Orthologues defined for ray-finned fish, indicating that the assembly is highly contiguous and complete. Comparative analyses between the Z. viviparus assembly and the chromosome-level genomes of two other eelpout species revealed a high synteny, but also an accumulation of repetitive elements in the Z. viviparus genome. Our reference genome will be an important resource enabling future in-depth genomic analyses of the effects of environmental change on this important bioindicator species.

Introduction: Conventional agricultural land-use may negatively impact biodiversity and the environment due to the increased disturbances to the soil ecosystem by tillage, for example. Cultivation of the perennial grain intermediate wheatgrass (Thinopyrum intermedium, IWG, Kernza®) is a nature-based solution for sustainable agriculture, improving nutrient retention mainly through its extensive root system. Nematodes serve as sensitive bioindicators, detecting early changes in the soil food web, reflecting in changes in their community structure. Materials and Methods:IWG and annual wheat sites in South France, Belgium and South Sweden were investigated in April 2022 for two depths (5–15 cm; 25–35 cm) to evaluate the difference in nematode community structure among the cropping systems. Results: Sites with IWG cultivation held an accumulation of structure indicators (c-p 3–5 nematodes) compared to sites with annual wheat cultivation. A generalised linear mixed model revealed significantly more root feeders, especially for the subsoil, under IWG as a result of the perennial cultivation. The maturity index, plant-parasitic index, channel index and structure index were greater for IWG sites. The enrichment index was greater for annual wheat sites due to the dominance of bacterivores and enrichment indicators (c-p 1 nematodes). The nematode community structure (weighted faunal profile analysis) indicates IWG sites as being a generally undisturbed system with efficient nutrient cycling and balanced distribution of feeding types, as well as higher metabolic footprint values for root feeders (including plant-parasitic nematodes) and fungivores. Annual wheat sites, on the other hand, held indicators of a disturbed system with increased occurrence of opportunistic species and a more bacterial driven pathway. The topsoil had an increased occurrence of structure indicators in both cropping systems. Conclusion: IWG creates favourable conditions for a diverse food web, including improved nutrient cycling and a heterogeneous resource environment, regardless of climatic conditions, establishing it as a stable and resilient agricultural management system.

Introduction: This study examined the sources and factors of resilience in Russian sexual and gender minorities. We hypothesized that, through their involvement in the lesbian, gay, bisexual, and transgender (LGBT) community (source of resilience), LGBT people establish friendships that provide them with social support (factor of resilience), which in turn should contribute to their mental health. Method: The study sample consisted of 1,127 young and middle-aged LGBT adults (18 to 50 years) from Russia. We collected the data online and anonymously. Results: Partial mediation could be confirmed. LGBT people who were involved in “their” community reported more social support from friends, which partially mediated the positive association between community involvement and mental health. The mediation remained significant when we controlled for demographics and outness as potential covariates. Additional analyses showed that the present sample reported lower mental health but not less social support than Russian nonminority samples recruited in previous research. Conclusion: Our study underlines the importance of the LGBT community in times of increasing stigmatization of sexual and gender minorities.

The cold pressor test (CPT) elicits strong cardiovascular reactions via activation of the sympathetic nervous system (SNS), yielding subsequent increases in heart rate (HR) and blood pressure (BP). However, little is known on how exposure to the CPT affects cardiac ventricular repolarization. Twenty-eight healthy males underwent both a bilateral feet CPT and a warm water (WW) control condition on two separate days, one week apart. During pre-stress baseline and stress induction cardiovascular signals (ECG lead II, Finometer BP) were monitored continuously. Salivary cortisol and subjective stress ratings were assessed intermittently. Corrected QT (QTc) interval length and T-wave amplitude (TWA) were assessed for each heartbeat and subsequently aggregated individually over baseline and stress phases, respectively. CPT increases QTc interval length and elevates the TWA. Stress-induced changes in cardiac repolarization are only in part and weakly correlated with cardiovascular and cortisol stress-reactivity. Besides its already well-established effects on cardiovascular, endocrine, and subjective responses, CPT also impacts on cardiac repolarization by elongation of QTc interval length and elevation of TWA. CPT effects on cardiac repolarization share little variance with the other indices of stress reactivity, suggesting a potentially incremental value of this parameter for understanding psychobiological adaptation to acute CPT stress.

Using validated stimulus material is crucial for ensuring research comparability and replicability. However, many databases rely solely on bidimensional valence ratings, ranging from negative to positive. While this material might be appropriate for certain studies, it does not reflect the complexity of attitudes and therefore might hamper the unambiguous interpretation of some study results. In fact, most databases cannot differentiate between neutral (i.e., neither positive nor negative) and ambivalent (i.e., simultaneously positive and negative) attitudes. Consequently, even presumably univalent (only positive or negative) stimuli cannot be clearly distinguished from ambivalent ones when selected via bipolar rating scales. In the present research, we introduce the Trier Univalence Neutrality Ambivalence (TUNA) database, a database containing 304,262 validation ratings from heterogeneous samples of 3,232 participants and at least 20 (M = 27.3, SD = 4.84) ratings per self-report scale per picture for a variety of attitude objects on split semantic differential scales. As these scales measure positive and negative evaluations independently, the TUNA database allows to distinguish univalence, neutrality, and ambivalence (i.e., potential ambivalence). TUNA also goes beyond previous databases by validating the stimulus materials on affective outcomes such as experiences of conflict (i.e., felt ambivalence), arousal, anger, disgust, and empathy. The TUNA database consists of 796 pictures and is compatible with other popular databases. It sets a focus on food pictures in various forms (e.g., raw vs. cooked, non-processed vs. highly processed), but includes pictures of other objects that are typically used in research to study univalent (e.g., flowers) and ambivalent (e.g., money, cars) attitudes for comparison. Furthermore, to facilitate the stimulus selection the TUNA database has an accompanying desktop app that allows easy stimulus selection via a ultitude of filter options.

The French Enlightenment is a pivotal period in European intellectual and literary history, which can be studied through this dataset of French novels first published between 1751 and 1800. This collection contains 200 French novels in TEI/XML, encoded according to the ‘level-1 schema’ of the European Literary Text Collection (ELTeC), and carefully compiled to reflect the known historical publication of French Novels in that period regarding publication year, gender of author and narrative form. The dataset is connected to a bigger knowledge graph of 331,671 Resource Description Framework triples (RDF) built within the project ‘Mining and Modeling Text’ at Trier University, Germany (2019–2023).