Metaphorical shifts from one subject area to another are a central structural strategy in Inger Christensen’s work. This principle will be demonstrated and discussed in this paper by referring to the poem “Gopler” [“Jellyfish”] from “lys” [“light”], 1962. The Danish contemporary poet Pia Tafdrup, whose work is influenced by Christensen, also makes use of a distinctive, associative imagery in her pentalogy “De fem sanser” [“The Five Senses”] (2014–2022). This paper contrastively explores the ways in which metaphorical shifts function in Christensen’s and Tafdrup’s poetry. Christensen realizes the metaphors’ potential in a radical way through the semantic superimposition of different subject areas. Thus, the regularities of the designed world are solely valid within linguistic structures, opening up new spaces of cognitive experience. In Tafdrup’s work, the texts’ different levels of meaning tend to remain separable. Here, the focus is on an associative technique of erratic and surprising transmissions, often applied to the external and the internal in a way that the cutting conciseness of the poems touch the reader almost sensually.