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“But now I know”: Erkenntnisprozesse als mentale Ereignisse in zeitgenössischer englischer Lyrik
(2019)
On account of its constitution as a temporally organized sequence of verbal utterances, typically presented from a speaker’s subjective perspective, lyric poetry is particularly suited to simulate mental processes and thereby mediate forms of cognition and insight. Indeed, the presentation of cognitive phenomena can be considered one of the prime functions of lyric poems throughout the history of poetry. For the analysis of such processes in poems a transgeneric narratological approach is here proposed, which is ultimately based on the anthropological fact that human existence is inescapably subject to temporality and change and that individuals are therefore permanently concerned with understanding, structuring, planning or preventing change. For this purpose, they employ the basic operation of narration in their communication both with others and themselves as well as in the production and reception of the various artistic genres, not only in fiction, drama and film, but also in lyric poetry. Poems employ narrative elements in a variety of modes which are specific to poetry, such as psycho-narration, mini-narratives, condensed, implicit or metaphorical narratives. A central device for structuring and interpreting a narrative sequence is the event, a transformation or decisive turn in the chain of changes, which then constitutes the moment of cognition or insight in the poem. The presentation of such a mental transformation from the speaker’s limited subjective perspective allows for a critical assessment of status and motivation of the process of cognition on the part of the reader.
This transgeneric narratological approach to the cognitive dimension of lyric poetry will first be demonstrated with the analysis of an older prototypical example, W. B. Yeats’s “The Second Coming”, and then applied to three recent, complex British-Irish poems, Eavan Boland’s “The Making of an Irish Goddess”, Kathleen Jamie’s “The Way We Live” and Paul Muldoon’s “Why Brownlee Left”, exemplifying the range of variation in which lyric poetry can perform and mediate mental processes of cognition.
Literature and thus also historical poetry want “not only to convey factual truth and to exhort subjective truthfulness, but also to give orientation for the – in whatever respect – correct or appropriate world behavior” (Lamping 2013: 65f.). The question of this paper is to what extent and how the 9/11-poems of Thomas Kling and Durs Grünbein offer a specific counter-historiography beyond the dichotomies of truth and falsehood, fact and fiction, in order to achieve a different level of knowledge. Due to the exhibited self-relatedness Grünbein presents not only in his essayistic pretext but also in his poem „September-Elegien“ mainly a subjective truthfulness rather than any certain orientation-knowledge. Kling’s historiographical-wrapped and complex instrumented poem „Manhattan Mundraum Zwei“ offers over-temporal, metaphysical-existential (counter-)truths and gives orientation beyond media-presented “facts” about 9/11.
Considérer les processus d’évaluation à l’école comme une possibilité pour soutenir les élèves dans l’évaluation réaliste et le développement de leurs processus et leur comportement d’apprentissage : l’évaluation participative des performances offre différentes possibilités pratiques pour favoriser la motivation d’apprendre, l’autoréflexion et la compréhension démocratique.
From the point of view of a philosophy of literature the position of lyric poetry is specific. While epistemic approaches focus on fiction and its forms of cognition, lyric poetry is often reduced to conveying emotions or atmosphere. While arguing for the epistemic content of lyric poetry, the paper will focus on the concept of representation (‚Vergegenwärtigung‘). Emphasis will be placed on the non-propositional component of cognition as well as on a specific understanding of experience in the form of knowing, ‘what-it-islike’. While didactic poetry displays a propositional character, nonsense-poetry with its emphasis on analogy as well as the poetry of experience (‚Erlebnisdichtung‘) fall on the non-propositional side. The form of cognition that is central, here, resembles that of Bertrand Russell’s ‘knowledge by acquaintance’, albeit as one of indirect acquaintance. In contrast to phenomenal experience and an emotivistic reading of poetry the non propositional knowledge it conveys is based on cognitive procedures such as imagination and/or projection. In sum, then, the epistemic impact of literature is not restricted to fiction but can also be said to apply to lyric poetry.
Zum Geleit
(2019)
”Poetry and Cognition“ is a topic which could be regarded as paradigmatic for the objective of this journal: Exploring a phenomenon which primarily discloses itself to a transdisciplinary and polyperspectivic approach, extending across research areas defined by disciplines and subjects. The question of knowledge gained by and within poetry neither exclusively falls within the scope of a genuinely literary, philological or even lyricological research area, nor does it entirely belong into various fields of philosophy, such as aesthetics or epistemology, but requires for its discussion both, an approach from the perspective of specialised academic research on poetry as well as from an epistemological point of view.
When do anorexic patients perceive their body as too fat? Aggravating and ameliorating factors
(2019)
Objective
Our study investigated body image representations in female patients with anorexia nervosa
and healthy controls using a size estimation with pictures of their own body. We also
explored a method to reduce body image distortions through right hemispheric activation.
Method
Pictures of participants’ own bodies were shown on the left or right visual fields for 130 ms
after presentation of neutral, positive, or negative word primes, which could be self-relevant
or not, with the task of classifying the picture as “thinner than”, “equal to”, or “fatter than”
one’s own body. Subsequently, activation of the left- or right hemispheric through right- or
left-hand muscle contractions for 3 min., respectively. Finally, participants completed the
size estimation task again.
Results
The distorted “fatter than” body image was found only in patients and only when a picture of
their own body appeared on the right visual field (left hemisphere) and was preceded by
negative self-relevant words. This distorted perception of the patients’ body image was
reduced after left-hand muscle contractions (right hemispheric activation).
Discussion
To reduce body image distortions it is advisable to find methods that help anorexia nervosa
patients to increase their self-esteem. The body image distortions were ameliorated after
right hemispheric activation. A related method to prevent distorted body-image representations
in these patients may be Eye Movement Desensitization and Reprocessing (EMDR)
therapy.
The trophic niche is a life trait that identifies the consumer’s position in a local food web. Several factors, such as ontogeny, competitive ability and resource availability contribute in shaping species trophic niches. To date, information on the diet of European Hydromantes salamanders are only available for a limited number of species, no dietary studies have involved more than one species of the genus at a time, and there are limited evidences on how multiple factors interact in determining diet variation. In this study we examined the diet of multiple populations of six out of the eight European cave salamanders, providing the first data on the diet for five of them. In addition, we assessed whether these closely related generalist species show similar diet and, for each species, we tested whether season, age class or sex influence the number and the type of prey consumed. Stomach condition (empty/full) and the number of prey consumed were strongly related to seasonality and to the activity level of individuals. Empty stomachs were more frequent in autumn, in individuals far from cave entrance and in juveniles. Diet composition was significantly different among species. Hydromantes imperialis and H. supramontis were the most generalist species; H. flavus and H. sarrabusensis fed mostly on Hymenoptera and Coleoptera Staphylinidae, while H. genei and H. ambrosii mostly consumed Arachnida and Endopterygota larvae. Furthermore, we detected seasonal shifts of diet in the majority of the species examined. Conversely, within each species, we did not find diet differences between females, males and juveniles. Although being assumed to have very similar dietary habits, here Hydromantes species were shown to be characterized by a high divergence in diet composition and in the stomach condition of individuals.
Evaluation in lyrical poetry is mostly uncharted territory, although subgenres such as panegyric or elegy suggest that it has a rich tradition. This contribution proposes a definition of evaluation in lyrical poetry and explores possible forms and functions of such evaluations in selected examples. The analyses suggest that contemporary poetry, although it may be full of evaluative expressions, provides few clues to the actual object of evaluation or the axiology of evaluation, which makes evaluation in poetry appear vague, incomplete or enigmatic. Despite this tendency towards vagueness, evaluation in poetry may help to convey knowledge to its recipients. Among others, poems by Erika Burkart, Daniela Danz and Wulf Kirsten will demonstrate that evaluation may serve as an enhancement of represented experiences, in particular by tapping into a phenomenological knowledge of ‘what-it-feels-like’ to be in such and such a situation.
Because EU water quality policy can result in infrastructure creation or adaptation at the local level across member states, compliance cases are worth examining critically from a sustainable spatial planning perspective. In this study, the 2000 EU Water Framework Directive’s (WFD) reach to local implementation efforts in average towns and cities is shown through the case study of nonconforming household wastewater infrastructure in the German state of Rhineland Palatinate. Seeing wastewater as a socio-technical infrastructure, we ask how the WFD implementation can be understood in the context of local infrastructure development, sustainability, and spatial planning concepts. In particular, this study examines what compliance meant for the centralization or decentralization of local wastewater infrastructure systems—and the sustainability implications for cities
from those choices.
