Überblicksdarstellung zu deutschen Reiseberichten aus der Provence aus der ersten Hälfte des 19. jahrhunderts (mit Bibliographie)

Based on her field studies between 1999 and 2003 in the South Indian State Kerala, the author critically reflects about Habermas's concept of the (bourgeois) public sphere, and also about later critiques of Habermas (eg. Eley). Schulze adds the new dimensions of human emotionality and humane ethics to the discussion of today's public (spheres) and civil societies which are part of globalising modernisations. It is poor and marginalized women's strongly felt compassion and love practised in their daily lives, which Schulze focusses on: these Marginalized ethics of the 'Good life' do sharply contrast the dominant societies' value systems; these latters consequently don't provide to the Marginaliezed a 'model'. However, Kerala, which is widely refered to as a development model - particularly with respect to the situation/ education of its women - is thus analysed by the author as a historically and culturally specific kind of 'modernity', which follows are rather violent and aggressive path of development in consonance with the general ruling anti-human/ nature philosophy of 'globalization'. Schulze's tool in her field work is 'participatory action research' and also her 'empathic camera' (camcoder). She mixed with local women who had organized themselves in women's groups with the urge to truly represent themSelves and their own ethics and goals in life - without the usual intervention of men/ of nationalist politics ruling Kerala's public sphere(s). In the course of Schulze and the local women groups becoming acquainted with each other, the scholar and the Marginalized felt the desire to support each other in their respective struggles for empowerment and for being respected as a human being. The author finally understood the fallacy and cynicism which lies in applying as a scholar the term 'women in Kerala' as if there wasn't the day to day particular violence which women of dalit ('untouchable'), or of adivasi (indigenous) background experience. Women's lives are moulded by networks of violence which are inherent to Kerala's castes, classes, and ethnicities, parallel to the basic oppression which women face because they are women. A group of dalit women in Kerala became particularly close companions in Schulze's quest for unravelling seemingly contradictory facts: Kerala's official claim to provide to women and other persons who were generally discriminated against in the larger Indian context, a supportive social and educational environment, on the one hand, and on the other hand the comparatively high number of suicides among Keralite women (and men), and the absence of women in what appears as Kerala's public sphere and 'civil society'. In several analytical steps which always centre around the experiences and feelings of the many poor and marginalized women, their life-worlds, their daily life philosophies, their views, voices, their ethics, dreams, Schulze unfolds these Marginalized visions, and tries to interpret them on their own terms. In this manner not only the mainstream society's propaganda about the 'Kerala development model' is demystified, but also to the reader insights become possible into a totally different set of ethics held by these women. They transgress notions of competition, of the 'necessary' monetarisation of all spheres of human life and of nature, of caste, religious, or gender conflicts. By means of 13 small video films the women together with Schulze showed and reflected upon their philosophy of an empowered 'Good life'.

In past years, desertification and land degradation have been acknowledged as a major threat to human welfare world-wide, and their environmental and societal implications have sparked the formulation of the UN Convention to Combat Desertification (UNCCD). Any measure taken against desertification, or the design of dedicated early warning systems, must take into account both the spatial and temporal dimensions of process driving factors. Equally important, past and present reactions of ecosystems to physical and socio-economical disturbances or management interventions need to be understood. In this context, remote sensing and geoinformation processing support the required assessment, monitoring and modelling approaches, and hence provide an essential contribution to the scientific component of the struggle against desertification. Supported by DG Research of the European Commission, the Remote Sensing Department of the University of Trier convened RGLDD to promote scientific exchange between specialists working on the interface of remote sensing, geoinformation processing, desertification/land degradation research and its socio-economic implications. Although targeted at the scientific community, contributions with application perspectives were of crucial importance and both an overview of the current state of the art as well as operational opportunities were presented. Hosted at the Robert-Schuman Haus in Trier, the conference gained widespread attention and attracted an international audience from all parts of the world, which underlines the global dimension of land degradation and desertification processes. Based on a rigorous review of submitted abstracts, more than 100 contributions were accepted for oral and poster presentation, which are found in these proceedings edition in full paper form. Please note: This document is optimised for screen resolution, to receive a high-resolution version please contact the editors.

Reisen ist zum Spiegelbild einer Welt in Bewegung und ihrer Beschwörung grenzenloser Mobilität geworden. Dabei geht es nicht nur um die konkrete Bewegung zwischen Orten, sondern auch um das damit verbundene Bedeutungsnetzwerk, jene Imaginationen und Narrationen, die die Orte als Heimat und Ferne, Provinzen oder Urlaubsparadiese, Flucht- oder Treffpunkte erst entstehen lassen. Der vorliegende Band bietet einen multiperspektivischen Blick auf diese Topologien des Reisens, die utopische wie dystopische Raum- und Identitätsentwürfe evozieren. Neben geographischen und tourismuswissenschaftlichen Überlegungen zur Gestaltung und Nutzung von konkreten Tourismusräumen versammelt er vor allem kunst- und literaturwissenschaftliche Reflexionen über die Darstellung von Heimat und Fremde in Kunst und Literatur wie auch ethnologische Studien über das Leben spezifischer Personengruppen in der Migration. Häufig werden dabei Fragestellungen aus Postcolonial und Gender Studies zugrunde gelegt, die neben der politischen Dimension des Reisens auch die perspektivische Engführung bisheriger Erklärungsansätze aufzeigen, die beispielsweise in der analytischen Trennung von Reiseformen und Akteursperspektiven sowie in der Ignoranz gegenüber bestimmten Reiseformen ihren Ausdruck fand. rnSo steht der Band nicht nur für die Vielfalt an zeitgenössischen Reiseformen und -imaginationen im Zeitalter von Massentourismus, Migration und Virtualisierung, sondern auch für eine andere, theoretisch wie empirisch kritische Betrachtung eines globalen Phänomens. Inhalt: Alexandra Karentzos, Alma-Elisa Kittner, Julia Reuter Einleitung: Topologien des Reisens Julia Reuter Einleitung: Tourismus und Migration Andreas Ackermann Reisende Kulturen? Das Konzept der Diaspora in den Kulturwissenschaften, illustriert am Beispiel der Yeziden Jacqueline Knörr Vom "Expat Brat" in Afrika zum "Third Culture Kid" in Deutschland Ramona Lenz Migration und Tourismus als Gegenstand wissenschaftlicher und künstlerischer Projekte Alexandra Karentzos, Alma-Elisa Kittner Einführung: Holiday in Art - Kunst und Tourismus Christian Kravagna The Artist as Traveller. Aus den Reisealben der (Post-)Moderne Peter Schneemann "Miles and More". Welterfahrung und Weltentwurf des reisenenden Künstlers in der Gegenwart Hanna Büdenbender Massimo Vitali: Traumstrand versus Touristenmassen Thomas Küpper Einführung: Reisen in die heile Welt Ute Dettmar Berge voll Glück. Literarische Wege ins Reiseparadies Schweiz Christiane Holm Hier und Jetzt. Zur "Heilen Welt" in Reisetagebüchern und Weblogs von Frauen Peter Gendolla Phantome des Südens. Zur utopischen Differenz der Literatur im virtuellen Raum. Karlheinz Wöhler Tourismusräume: Virtualisierung des Realen - Realisierung des Virtuellen Viktoria Schmidt-Linsenhoff, Dorothea Coskun Einführung: Wandernde Objekte. Die Bedeutung der Mobilität der Dinge Gabriele Genge Grand Tour der reisenden Objekte: Performative Strategien in der afrikanischen Gegenwartskunst Jens Baumgarten Transformation asiatischer Artefakte in brasilianischen Kontexten

Cinema programming, the composition of films to make a specific "show," remains a neglected way to research the relation between audiences and film form. As a mode of exhibition " advertised, promoted, and circulating in the public sphere even before an audience is gathered " the program can be seen as an active social relation between cinema managers and their audiences. Changes in the composition of film programs, in my case the years before the First World War in Mannheim, Germany, are thus not taken as part of a teleological evolution of film form, but instead reveal emerging practices of cinema-going, a changing relation among showmen, distributors, audiences, and the city they are all part of. The category of "the audience" becomes a compliment to narrative, economic and technical influences. Selecting the city of Mannheim further allows me to draw upon the pioneering German sociological study of cinema audiences, conducted there by Emilie Altenloh in 1911 and 1912. Thus, I am able to compare her survey data to the film programs that were actually advertised and offered to the public at the time, and also include knowledge of the social history of the city, to approximate a description of the historical audiences she studied. Here I follow the findings of Miriam Hansen and Heide Schlüpmann, who both stress the importance of the female audience in Imperial Germany. I account for a reciprocal relation between female spectators and the film industry- local programming practice to describe the transitional period from the short film programme of the "cinema of attractions" to the dominance of the long feature film, i.e. from 1906-1918. Looking closely at the advertised programmes of Mannheim I show that almost all of the first multiple-reel feature films deal with women- topics, i.e. with the fate and fortune of women, concluding that the presence of women in the audience helped established the long feature as central to the institutionalized cinema program. The film program and the specific feature films represented female identity on the screen, responding to the perceived wishes and needs of the women who gathered as audiences. Taking this "program analysis" approach, because it provides a synopsis of the social relation between audience, industry, and film form, is a valuable tool for comparing the social place of film comparatively, across many films, and potentially across regions, countries, and cultures.